Apr 18, 2019

 

Apr 18, 2019

Saw this on Facebook, my entire friends list is bashing this dude for that s--- but I haven’t listened to him so no opinion on whether he’s the beat Detroit rapper or not

 

Apr 23, 2019

Sada Baby is f---ing sh--. Surely a troll post by OP.

I don't follow Detroit rap scene much but this r----- basically said Em isn't top 5 dead or alive from Detroit (lols) because he's too lyrical then struggled to list even 2 rappers.

 

Apr 23, 2019

Pure facts

 

Apr 23, 2019

dead serious. Bartier Bounty > MMLP

 

Apr 23, 2019

Neither one of them is Danny Brown

 

Apr 23, 2019

But I’m like 60... is that still ok?

 

Apr 23, 2019

Lol like recluse Em would go to the Palms Resort and Casino.
Not to mention noone has posted pictures about it. Never happened.

 

Apr 25, 2019

Tomorrow is a great day for New Em music

 

Apr 26, 2019

 

May 1, 2019

 

May 3, 2019

Ty Farris!!!!!!!

 

May 6, 2019

“Homicide” is so devoid of self-awareness that Logic and Eminem’s markers of quality — double-time flows, abundance of punchlines and “intricate” rhyme schemes — end up sounding worse than the rap music they’re critiquing. At one point, Logic sings through AutoTune, “I got b------s, I got hoes, I got rare designer clothes / No, we ain’t f---in’ with that,” before letting listeners know there is a “time and a place” for those lyrics. It’s offensive on two levels. First, Logic has built his career on repurposing and recycling styles (Drake, Kendrick Lamar, Kanye West) to the point it’s hard to fathom why he thinks he’s creatively above anyone. Second, no matter how much Logic claims he’s an “innovator,” he’s yet to popularize a flow (Migos) or a vocal performance (Future) as well as the people he’s ostensibly mocking. Logic, no matter how successful, is simply a synthesist who is great at spouting respectability politics at the masses over derivative beats.

Eminem is still the same crotchety relic that haunted Revival and Kamikaze. His verses remain full of empty threats and senseless rhyming for the sake of rhyming (“Big bills like a platypus / A caterpillar’s comin’ to get the cannabis”). For some reason, Em is still complaining about rappers who don’t write their raps, but it’s difficult to ascertain why. During “Homicide’s” ironic peak, Eminem complains that he’s “Makin’ dog sounds ’cause I gotta keep breakin’ these bars down.” Symbolically, the reference rings true. Eminem’s bark has lost all meaning, the bite absent for years. There is a sense that if you let him, his growl will grow eternal with the help of musicians like Logic.

The bite Eminem’s been warning us about never comes, because it was never there. “Homicide” isn’t that scary when the people who were meant to be killed keep surviving.

https://www.rollingstone.com/music/music-news/logic-eminem-homicide-830447/

 

May 6, 2019

Wow...WTF happened to Rolling Stone? Their opinion is so terrible, this alone should make someone stop reading, "First, Logic has built his career on repurposing and recycling styles (Drake, Kendrick Lamar, Kanye West) to the point it’s hard to fathom why he thinks he’s creatively above anyone. Never thought he sounded like any of them...

 

May 6, 2019

Tldr

 

May 6, 2019

Trash article

 

May 6, 2019

Since when did Rolling Stone hire Vice writers?

 

May 6, 2019

yes Some old actor in Hollywood is probably banging her right now. You think only the rich can have fun?

 

May 6, 2019

Didn’t even listen to the song and this is facts

 

May 6, 2019

Ah i see they figured out if they act like they dont like it theyll get more

Smart r-----s